Using the amPlug Cabinet, you can quickly convert any amPlug into tabletop mini-stack. Connection is easy; just insert the amPlug unit into the amPlug Cabinet, and plug the dedicated cable from the amPlug cabinet into the amPlug. With its retro VOX design, the amPlug Cabinet creates an imposing miniature amp stack that is both attractive, and enjoyably incongruous. Equipped with a 3″ VOX speaker and 0.7 Watts of power, the amPlug Cabinet is compatible with all amPlug models, so you can use a variety of amPlugs with a single amPlug Cabinet.
Jamming late at night? Don’t want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. You want to play guitar right now. The Vox amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime.The amPlug Bass headphone amp is modeled on VOX’s classic AC100 bass amp, and expands its potential with a full-range tone that supports today’s bass sounds. A compressor/boost effect provides not just compression but also a thick overdrive sound, giving you the perfect tones for performing in any style. Careful attention has been paid to the sound quality, and a high-quality FET buffer circuit has been used to obtain even greater dynamic range.Plugs directly into your bass a great-sounding headphone bass amp that gives you serious sound fast.AUX in jack lets you jam along with your CD/MP3 player.100% analog circuit faithfully simulates the response of the original amps.Features a full-range bass sound with a compressor/boost effectQuick and easy setup! Just connect Vox amPlug to your guitar and enjoy serious sound.
The amPlug series of palm-sized headphone guitar amps make it easy to enjoy great guitar/bass sounds at home, in your room, or anywhere. This lineup is now joined by the amPlug Joe Satriani signature model, which borrows freely from the VOX/Joe Satriani line of signature pedal effects.
Introducing the amPlug–the headphone guitar amp that lets you enjoy serious guitar sound, fast. Jamming late at night? Don’t want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. You want to play guitar right now. amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime.
Vox AmPlug Bass Guitar Headphone Amp; Finally a headphone amp worthy of the low tones of a bass guitar! The amPlug series received wide-ranging acclaim from guitarists around the world for delivering incredible guitar tone in a pocket-sized unit. The amPlug Bass is modeled after VOX’s classic AC100 bass amplifier, and expands its potential with a full-range tone that supports today’s bass sounds. A compressor/boost effect provides not just compression but also a thick overdrive sound, giving you the perfect tones for performing in any style. Careful attention has been paid to the sound quality, and a high-quality FET buffer circuit has been used to obtain even greater dynamic range. Vox AmPlug Bass Features a great-sounding headphone guitar amp that gives you serious sound fast Plugs directly into your bass AUX in jack lets you jam along with your CD/MP3 player 100% analog circuit faithfully simulates the response of the original amps Bass features a full-range bass sound with a compressor/boost effect Up to 15 hours of battery life with two Alkaline AAA batteries Quick and easy setup! Enjoy serious guitar sound, fast. Jamming late at night? Don’t want to wake the neighbors? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. You want to play guitar right now. amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime. AmPlug can be used in numerous ways With up to fifteen hours of battery life, it’s easy to take amPlug anywhere. In addition to practicing at home, it’s a great way to warm up before a live performance or on the road. And amPlug is not just a convenient way to get great guitar sound. There’s also an AUX input jack so you can jam along with your CD/MP3 player. Vox amPlug is the fastest ticket to great tone anytime anywhere!
Plug In, Rock Out with the Joe Satriani amPlug headphone amp The Joe Satriani signature model is the latest addition to the incredibly popular amPlug series of headphone guitar amps! The amPlug series of palm-sized headphone guitar amps make it easy to enjoy great guitar/bass sounds at home, in your room, or anywhere. This lineup is now joined by the amPlug Joe Satriani signature model, which borrows freely from the Vox/Joe Satriani line of signature pedal effects. Vox amPlug Joe Satriani Headphone Guitar Amp Features Joe’s signature lead tone with your choice of delay on or off Distortion tone with superb dynamic response, inspired by the Satchurator Analog-style delay with Joe’s filter and EQ, inherited from the Time Machine Plugs straight into your electric guitar, so you can instantly enjoy great sound through your headphones Convenient and portable with up to 11 hours of battery operation AUX input jack lets you jam along to tunes on your CD/MP3 player With its bright red body, the amPlug Joe Satriani delivers the awesome sound of Joe Satriani’s custom rig – distortion pedal through a high-gain vacuum tube amplifier, followed by a delay – and reproduces the settings created by Joe himself. Inspired by the distortion circuitry of the Vox/Joe Satriani Satchurator pedal, the amPlug Joe Satriani preserves much of the pick attack to create an articulate, playable distortion. Flick the switch to activate the analog-style delay effect. Inherited from the Lo-Fi mode of the Vox/Joe Satriani Time Machine delay pedal, the delay features Joe’s distinctive EQ tone, combining both high-pass and low-pass filters. Use the AUX input jack to plug your CD/MP3 player right into the amPlug Joe Satriani and jam along! Play along with Joe Satriani’s classic tunes, or with any of your favorite music. Enjoy the amPlug’s extreme play-anywhere portability, with up to eleven hours of battery life. Simply plug the amPlug Joe Satriani directly into your electric guitar, connect your headphones, and you’re ready to enjoy playing using Joe Satriani’s powerful and expansive sound. Of course, you can also connect the optional amPlug Cabinet (sold separately) and create your own miniature amp stack!
plays a 15-watt amplifier considered strong when you're practicing the guitar at home? More looked into buying a 30-watt amplifier, and I wanted to know what the best type for the best price. thanks
15W is for the home. I bought Published online June 1, 30W, and is very strong when I walk. Line 6 is an amplifier because they have large effects on the amplifier itself! Most other amps only reverb.
D-Lab 3C 3 Tube Guitar Practice Amp Amplifier 6V6 Vintage
How do I need to power a bass amp that is heard on drums and guitar? Basically a small concert. 50W Ampeg is good for small gigs?
Sorry, 50W is probably not enough = – is a good power amp for practice (or some minor interference), but certainly not for the concerts … However, if the amp has a line output can be plugged directly into the sound system and just use your amp as a monitor on stage – a lot of bassists do. Also, I heard say cheaper Ampeg amps are not the greatest. In general, when a concert, you want to at least double the watts to the guitarist (S) – three times is even better. Under simply need more force to pump these low frequencies and is still heard in the mix. I would say that 100 watts is acceptable for a guitar against the competitors, but against a guitarist and a drummer, you'll have trouble cutting through. (For concerts of all sizes, you should get at least 150) Here are some of the amplifiers that you can check: Ashdown Electric Blue (180W): http://www.musiciansfriend.com/product/Ashdown-Electric-Blue- 15 180-Bass Combo? sku = 485037 (15 "Speaker) http://www.musiciansfriend.com/product/Ashdown-Electric-Blue-12180-Combo-Bass-Amp?sku=485036 (12" Speaker) Acoustic B200 (200 W, 15 "speaker + tweeter): http://www.musiciansfriend.com/product/Acoustic-B200-200W-1×15-w-Tweeter-Bass-Combo?sku=482902 Gallien-Krueger Backline 210 (200W, 2×10 "Speakers).? Http: / / www Musiciansfriend.com/product/GallienKrueger-Backline-210-Combo-Amp Sku = 482535 Ashdown MAG C115-300 (300W, 15" speaker) Ashdown MAG http://www.musiciansfriend.com/product/Ashdown-MAG-C115300-Combo-Bass-Amp?sku=485032 C210T300 (300W, 2×10 "speaker + tweeter): http://www.musiciansfriend. com / product / Ashdown MAG-C210T300–Bass-Combo-Amp? sku = 485033 I suggest you not buy an amplifier that are online, go to a music store with amplifiers of some things in mind and find the one you think sounds appropriate best suits your needs. You also do not pay a ton of port in this way, some taxes. I hope that helps a little. Cheers
The Ampeg GVT15H Guitar Amplifier Head delivers the flexible, all-tube tone you crave, in a portable design with a vintage Ampeg ’70s vibe. Premium 12AX7 and 6V6 tubes give the GVT15H pure American tone that’s extremely flexible thanks to Ampeg’s wide-bandwidth Baxandall EQ. Dual power modes (15W / 7.5W) give you control over your tube gain, perfect getting the same great tone while on stage or during practice. With smooth spring reverb and useful tools like an effects loop, the GVT15H amp head gives straight up Ampeg guitar tone any place you plug in.
The SVT7 Pro bass amplifier head is the next step in the evolution of Ampeg’s PRO Series: 1000 watts of Ampeg tone at 15 lbs. Ampeg’s SVT7 PRO pumps out a ferocious kilowatt of pure Ampeg tone in a compact design that weighs in at just 15 lbs. A premium tube front-end, lightweight Class-D power amp and classic Ampeg tone control combine to create an extremely lightweight and remarkably powerful head that is all Ampeg.
The Ampeg GVT15-112 Guitar Combo Amplifier is an all tube amp that is the perfect gigging combo, with tone and portability to spare! With high-end 12AX7 and 6V6 tubes and a dual power design to switch between 15 and 7.5 watts, the GVT15-112 combo amp delivers the tone you need at both stage and practice volumes. The highly flexible Ampeg Baxandall EQ offers more tone options than traditional designs and the single 12 inch Celestion speaker breaks up right where you want it to. Add in ultra-rugged build quality, classic ‘70s Ampeg looks, spring reverb and an effects loop, and the GVT15-112 combo amplifier is a flexible, gig-able amp that always gives you straight up Ampeg guitar tone.
The Ampeg GVT5-110 Guitar Combo Amplifier delivers pure Ampeg guitar tone in an extremely portable package perfect for rehearsal or small gigs. This great combo amp has two power modes deliver 5 or 2.5 watts, allowing you to really soak the tubes, even at lower volumes. Ampeg’s Baxandall EQ circuitry is used in the GVT5-110, offering wider bandwidth than traditional designs, allowing for a bigger range of possible tones. The American tone of 12AX7 and 6V6 tubes is undeniable, as is the 10 inch Celestion speaker and the vintage Ampeg ’70s look and feel. The GVT5-110 combo amp gives straight up Ampeg guitar tone.
The Ampeg SVT210AV Micro Bass Guitar Amplifier Cabinet is the portable alternative to a full sized SVT cab. Ideal for bleed-sensitive recording situations where the SVT810-AV can be too loud and live situations where it can be too large, the SVT210AV is designed using Ampeg’s legendary Infinite Baffle system for maximum speaker efficiency and true Ampeg tone. Ampeg Micro VR Half Stack with SVT210AV Video Demos Click any of the video links on the left, then click Play to access the MicroVR Half Stack demos The SVT210AV is the perfect companion to Ampeg’s Micro VR Bass Guitar Amplifier Head.
The Ampeg GVT52-212 Guitar Combo Amplifier delivers everything you need, from a sweet, smooth clean to a powerful, intense growl. The American tone and feel of premium 12AX7 and 6V6 tubes feeding into two 12 inch Celestion speakers is unmistakable. Plus, the GVT52-212 combo amp has a flexible dual-channel, dual power mode (50W/25W) design for huge tonal possibilities. Ampeg’s wide-bandwidth Baxandall EQ circuitry provides an unmatched variety of tones, perfect for creating your signature sound. Add in rich spring reverb and tools like footswitchable global gain boost and an effects loop and the GVT52-212 guitar combo amp is a true workhorse that always delivers straight up Ampeg tube guitar tone.
The Ampeg SVT CL Classic – it is an Ampeg! Other companies keep trying to recreate the classic all-tube sound of the 60’s and 70’s Ampeg heads, but it’s just not the same as the real deal – Ampeg. And they’re the ONLY bass amp company that can make that claim. When you specify a Classic Series head, it’s not ‘like an Ampeg’… it is an Ampeg. Ampeg Classic Series Heads are designed for players who are looking for the authentic, vintage Ampeg tube sound that has earned the respect of the industry. For the ultimate experience, it’s the Ampeg SVT-CL – the Classic, as it’s known in the business. There is no equivalent to its 300 watt output courtesy of six 6550 power tubes. Ampeg SVT CL Features Normal and Padded Input Tube Protection Circuitry Auto-fault Mode Fan Cooled Slave Output Jack 4/2 Ohm Impedance Selection User Biasing Controls 3 Position AC Polarity Switch
Ampeg BA-108 The Ampeg BA-108 bass combo is perfect for beginning bassists, offering tools like 3-band EQ, MP3 input and a headphone out for silent practice. The high-output 8" speaker is specifically matched to the powerful 25-watt amplifier for optimal performance. The BA-108 has a tilt-back cabinet design that’s great for directional monitoring during practice, with a ported baffle for excellent low-frequency extension. Also great for live performances, the BA-108 has a dedicated line out. The impact-resistant, tilt-back cabinet design of the BA-108 features durable black tolex, white piping, and Ampeg’s classic logo badge. Ampeg BA-108 25W 1×8 Bass Combo Amp Features: 25W 8" high-output speaker Tilt-back cabinet design 3-band EQ Aux input Headphone out Ported baffle for enhanced low-end response Line out Get Your Ampeg BA-108 Today!
Don’t Be Fooled By Its Diminutive, Dare We Say Cute, Appearance. This portable, powerful solid-state head in traditional Ampeg drag is a pleasant surprise from the second you lay eyes on it to the moment its indisputable Ampeg tone hits your ears. The Ampeg Micro VR Bass Guitar Amplifier Head is a compact powerhouse fully capable of pumping its 200 watts of genuine Round Sound into myriad live and recording situations. Ampeg Micro VR Half Stack with SVT210AV Video Demos Click any of the video links on the left, then click Play to access the MicroVR Half Stack demos A perfect companion to the Micro VR is Ampeg’s SVT210AV Micro Bass Guitar Amplifier Cabinet.
Designed and assembled in the U.S.A., the Ampeg Heritage SVT-810E Bass Guitar Amplifier Cabinet delivers legendary Ampeg tone, style and construction. The Heritage SVT-810E cabs are built from the highest-quality components, including custom-made 10 inch U.S. Eminence speakers with 30 oz. magnets for ultimate punch. Rugged construction includes the 15 mm birch plywood cabinet and durable Tolex covering. Everything about the Heritage SVT-810E is classic Ampeg in a premium straight-from-the-U.S. package. It’s Ampeg’s Heritage, but it’s your gear…and has been for over 60 years.
The Ampeg SVT-15E – and the rest of the world-renowned Ampeg Classic Series of cabinets – are synonymous with bass enclosures and the sound they are expected to produce. And because Ampeg knows that players have different tastes, they make the configuration YOU are looking for. From the undeniable tone of the SVT-810E to the unexpected low end of the extended range SVT-410HLF, Ampeg enclosures have set the standard for decades. All enclosures feature dual Neutrik Speak-On and 1/4 inch input/output jacks. The History of AMPEG… In 1946, Everette Hull, an acomplished pianist and bass player, organized a partnership with Stanley Michaels under the name Michaels-Hull Electronic Labs. Their mission was to produce a new microphone pickup that Hull designed. The pickup was fitted on the end of an upright bass and was dubbed the Amplified Peg or Ampeg for short. In 1949, Hull became the sole proprietor and changed the name of the company to the Ampeg Bassamp Company. Since that time, Ampeg has produced some of the music industry’s most innovative and memorable products, satisifying the needs of musicians all over the world. Many of these products feature incredibly unique features and performance capabilities resulting in six U.S. patents under the Ampeg brand name. In 1960, a design engineer by the name of Jess Oliver created a combo amplifier with a chasis that could be inverted and tucked inside the speaker enclosure, protecting the inner workings and increasing the portability of the the amp. Nicknammed the Portaflex, this amplifier became the standard in bass combos throughout the 60’s and 70’s. Also in the early 60’s, Ampeg was the first company to incorporate reverb in an amplifier. The Reverbrocket preceded Fender’s Vibroverb (often thought of as the original) by nearly 2 years. In 1969, Ampeg set out to design the most powerful amplifier ever made. At that time, 50-watt amps were considered more than adequate. 100-watt amps were considered plenty loud. Ampeg, however, not only harnessed 300 watts of pure tube power but actually created a new valve (tube) technology – Super Valve Technology, or the SVT. Now the most sought after stage amplifier, the SVT has proven its road worthiness on stages around the world. In 1986, St. Louis Music, Inc purchased Ampeg and continues the tradition of making quality, musician-satisifying products. The current series of Ampeg Classic models, Pro Series products, B Series heads and combos as well as the updated re-issue Diamond Blue Series are among the latest in the evolution of the professional, innovative and feature laden amplifiers available.
The Ampeg BA112 Bass Amplifier is a knockout practice amp with a 12-inch speaker and a 50-Watt power amp. Named after their 1950’s counterparts, the Ampeg Bassamp Series combos embody all the elements that made Ampeg a household name among bass players. Innovative, versatile and great sounding, these amps incorporate a tilt-back monitor style making them great for the stage, studio and even the bedroom. The five position Style control gives you a choice of five different classic voices of the amplifiers that you can further adjust with the three bands of rotary EQ. The RCA inputs are perfect for playing along with a sequencer or CD player to hone your chops. BA112 dimensions: 17.25 x 17.25 x 11′, 44 lbs. The History of AMPEG… In 1946, Everette Hull, an accomplished pianist and bass player, organized a partnership with Stanley Michaels under the name ‘Michaels-Hull Electronic Labs.’ Their mission was to produce a new microphone pickup that Hull designed. The pickup was fitted on the end of an upright bass and was dubbed the Amplified Peg or ‘Ampeg’ for short. In 1949, Hull became the sole proprietor and changed the name of the company to the Ampeg Bassamp Company. Since that time, Ampeg has produced some of the music industry’s most innovative and memorable products, satisfying the needs of musicians all over the world. Many of these products feature incredibly unique features and performance capabilities resulting in six U.S. patents under the Ampeg brand name. In 1960, a design engineer by the name of Jess Oliver created a combo amplifier with a chassis that could be inverted and tucked inside the speaker enclosure, protecting the inner workings and increasing the portability of the amp. Nicknamed the ‘Portaflex,’ this amplifier became the standard in bass combos throughout the 60’s and 70’s. Also in the early 60’s, Ampeg was the first company to incorporate reverb in an amplifier. The Reverb rocket preceded Fender’s Vibroverb (often thought of as the original) by nearly 2 years. In 1969, Ampeg set out to design the most powerful amplifier ever made. At that time, 50-watt amps were considered more than adequate. 100-watt amps were considered ‘plenty loud.’ Ampeg, however, not only harnessed 300 watts of pure tube power but actually created a new valve (tube) technology – Super Valve Technology, or the SVT. Now the most sought after stage amplifier, the SVT has proven its road worthiness on stages around the world. In 1986, St. Louis Music, Inc purchased Ampeg and continues the tradition of making quality, musician-satisfying products. The current series of Ampeg Classic models, Pro Series products, ‘B’ Series heads and combos as well as the updated re-issue Diamond Blue Series are among the latest in the evolution of the professional, innovative and feature laden amplifiers available.
Named after their 1950’s counterparts, Ampeg’s Bass Amp Series combos embody all the elements that made Ampeg a household name among bass players. Innovative, versatile and great sounding, the Bassamp Series combos incorporate a Style control gives you a choice of 5 different amp voicings that you can further adjust with the 3 bands of rotary EQ, as well as RCA Tape/CD inputs. The Ampeg BA115HP is a powerful tone box featuring a 220-watt power section and 1 inch horn driver for high frequency definition. Its variable L-pad allows you to adjust the level of your highs. Other features include an XLR line out, a built-in digital chromatic tuner with mute switch. Dimensions: 21 x 21 x 15.5 inches, 80 lbs. The History of AMPEG… In 1946, Everette Hull, an acomplished pianist and bass player, organized a partnership with Stanley Michaels under the name Michaels-Hull Electronic Labs. Their mission was to produce a new microphone pickup that Hull designed. The pickup was fitted on the end of an upright bass and was dubbed the Amplified Peg or Ampeg for short. In 1949, Hull became the sole proprietor and changed the name of the company to the Ampeg Bassamp Company. Since that time, Ampeg has produced some of the music industry’s most innovative and memorable products, satisifying the needs of musicians all over the world. Many of these products feature incredibly unique features and performance capabilities resulting in six U.S. patents under the Ampeg brand name. In 1960, a design engineer by the name of Jess Oliver created a combo amplifier with a chasis that could be inverted and tucked inside the speaker enclosure, protecting the inner workings and increasing the portability of the the amp. Nicknammed the Portaflex, this amplifier became the standard in bass combos throughout the 60’s and 70’s. Also in the early 60’s, Ampeg was the first company to incorporate reverb in an amplifier. The Reverbrocket preceded Fender’s Vibroverb (often thought of as the original) by nearly 2 years. In 1969, Ampeg set out to design the most powerful amplifier ever made. At that time, 50-watt amps were considered more than adequate. 100-watt amps were considered plenty loud. Ampeg, however, not only harnessed 300 watts of pure tube power but actually created a new valve (tube) technology – Super Valve Technology, or the SVT. Now the most sought after stage amplifier, the SVT has proven its road worthiness on stages around the world. In 1986, St. Louis Music, Inc purchased Ampeg and continues the tradition of making quality, musician-satisifying products. The current series of Ampeg Classic models, Pro Series products, B Series heads and combos as well as the updated re-issue Diamond Blue Series are among the latest in the evolution of the professional, innovative and feature laden amplifiers available.
Tubes, tubes, and more tubes! The new Ampeg SVT-VR is a vintage reissue of an early 1970s Blue-Line SVT head. The preamp stage, power section, and even rocker switches emulate the exact signal path, tone, and vibe of the original rock ’n’ roll workhorse. Authentic from its input jack all the way to its six 6550 output tubes, the SVT-VR is a must-have for rockers seeking that in-your-face Ampeg bass tone. Ampeg SVT VR Features Tube Preamp and Power Amp 300-Watts RMS @ 2 or 4 Ohms Two Discrete Channels Neutrik Speakon and 1/4 inch Output The History of AMPEG… In 1946, Everette Hull, an acomplished pianist and bass player, organized a partnership with Stanley Michaels under the name Michaels-Hull Electronic Labs. Their mission was to produce a new microphone pickup that Hull designed. The pickup was fitted on the end of an upright bass and was dubbed the Amplified Peg or Ampeg for short. In 1949, Hull became the sole proprietor and changed the name of the company to the Ampeg Bassamp Company. Since that time, Ampeg has produced some of the music industry’s most innovative and memorable products, satisifying the needs of musicians all over the world. Many of these products feature incredibly unique features and performance capabilities resulting in six U.S. patents under the Ampeg brand name. In 1960, a design engineer by the name of Jess Oliver created a combo amplifier with a chasis that could be inverted and tucked inside the speaker enclosure, protecting the inner workings and increasing the portability of the the amp. Nicknammed the Portaflex, this amplifier became the standard in bass combos throughout the 60’s and 70’s. Also in the early 60’s, Ampeg was the first company to incorporate reverb in an amplifier. The Reverbrocket preceded Fender’s Vibroverb (often thought of as the original) by nearly 2 years. In 1969, Ampeg set out to design the most powerful amplifier ever made. At that time, 50-watt amps were considered more than adequate. 100-watt amps were considered plenty loud. Ampeg, however, not only harnessed 300 watts of pure tube power but actually created a new valve (tube) technology – Super Valve Technology, or the SVT. Now the most sought after stage amplifier, the SVT has proven its road worthiness on stages around the world. In 1986, St. Louis Music, Inc purchased Ampeg and continues the tradition of making quality, musician-satisifying products. The current series of Ampeg Classic models, Pro Series products, B Series heads and combos as well as the updated re-issue Diamond Blue Series are among the latest in the evolution of the professional, innovative and feature laden amplifiers available.
The SVT7 Pro bass amplifier head is the next step in the evolution of Ampeg’s PRO Series: 1000 watts of Ampeg tone at 15 lbs. Ampeg’s SVT7 PRO pumps out a ferocious kilowatt of pure Ampeg tone in a compact design that weighs in at just 15 lbs. A premium tube front-end, lightweight Class-D power amp and classic Ampeg tone control combine to create an extremely lightweight and remarkably powerful head that is all Ampeg.  Ampeg SVT7 Pro Bass Amp Head Features Preamp: Tube (1 x JJ 12AX7/ECC83S) Power Amp: Class-D (solid-state) RMS Power Output: 1000 watts @ 4 ohms Direct Output Speakon Outs Headphone Output Auxiliary Input Tuner Out 3-band EQ with adjustable mids Weight: 15.5 lbs / 7 kg Includes removable rack ears
The powerful dual channel Ampeg GVT52-112 guitar combo amp goes from super clean to tube-soaked gain with attitude. Featuring a dual power (50W/25W) design with Ampeg’s Baxandall EQ circuitry, the GVT52-112 combo amp has versatility and an unmatched variety of possible tones. With a careful selection of high-end valves, including 12AX7 and 6L6 tubes, the GVT52-112 captures the sought-after feel and tone of a classic American tube amp. Featuring a 12 inch Celestion speaker, rich spring reverb, effects loop and an extremely solid build, the GVT52-112 delivers straight up Ampeg guitar tone at each and every gig. Ampeg GVT52-112 Tube Guitar Combo Amplifier Features Dual Channel Dual Power (50/25 watts) 3 x 12AX7 preamp tubes 2 x 6L6 Power tubes Tone controls: Baxandall treble, middle and bass 12 inch Celestion speaker Includes GVT-FS1 single footswitch
The super powerful Ampeg GVT5H all tube guitar head delivers tones that range from clean to the down and dirty. Delivering huge tone at low volumes, the GVT5H amp head with its 12AX7/ 6V6 tubes and two power modes (5W / 2.5W) has a thick high gain but a a neighbor-friendly volume. Add in multiple outputs at different impedances and vintage Ampeg looks and you’ve got an ultra-portable, but super powerful all-tube head that always delivers straight up Ampeg guitar tone. Ampeg GVT5HÂ Tube Guitar Amplifier Head Features Dual power modes:Â 5/2.5 watts RMS 12AX7 preamp tube 6V6GT power tube Volume, Baxandall treble and bass controls Speaker outputs: 1 x 16 ohm, 2 x 8 ohm and 2 x 4 ohm
Named after their 1950’s counterparts, Ampeg’s Bass Amp Series combos embody all the elements that made Ampeg a household name among bass players. Innovative, versatile and great sounding, these combos incorporate a tilt-back monitor style making them great for the stage, studio and even the bedroom. The five position Style control gives you a choice of five different voices of the amplifiers that you can further adjust with the three bands of rotary EQ. The RCA inputs are perfect for playing along with a sequencer or CD player to hone your chops. The Ampeg BA115 has measures 21 x 21 x 16 inches and weighs 62 lbs. Ampeg BA115 Features & Quick Specs Balanced Line Out Mid Tone Control: Style Preamp Out/Power Amp In RMS Power Output: 100W Speakers: 15 inches Tone Controls: 3 band Dimensions: 21 x 21 x 16 Weight: 62 Pounds The History of AMPEG… In 1946, Everette Hull, an acomplished pianist and bass player, organized a partnership with Stanley Michaels under the name Michaels-Hull Electronic Labs. Their mission was to produce a new microphone pickup that Hull designed. The pickup was fitted on the end of an upright bass and was dubbed the Amplified Peg or Ampeg for short. In 1949, Hull became the sole proprietor and changed the name of the company to the Ampeg Bassamp Company. Since that time, Ampeg has produced some of the music industry’s most innovative and memorable products, satisifying the needs of musicians all over the world. Many of these products feature incredibly unique features and performance capabilities resulting in six U.S. patents under the Ampeg brand name. In 1960, a design engineer by the name of Jess Oliver created a combo amplifier with a chasis that could be inverted and tucked inside the speaker enclosure, protecting the inner workings and increasing the portability of the the amp. Nicknammed the Portaflex, this amplifier became the standard in bass combos throughout the 60’s and 70’s. Also in the early 60’s, Ampeg was the first company to incorporate reverb in an amplifier. The Reverbrocket preceded Fender’s Vibroverb (often thought of as the original) by nearly 2 years. In 1969, Ampeg set out to design the most powerful amplifier ever made. At that time, 50-watt amps were considered more than adequate. 100-watt amps were considered plenty loud. Ampeg, however, not only harnessed 300 watts of pure tube power but actually created a new valve (tube) technology – Super Valve Technology, or the SVT. Now the most sought after stage amplifier, the SVT has proven its road worthiness on stages around the world. In 1986, St. Louis Music, Inc purchased Ampeg and continues the tradition of making quality, musician-satisifying products. The current series of Ampeg Classic models, Pro Series products, B Series heads and combos as well as the updated re-issue Diamon
Ampeg’s GVT15H guitar head delivers the flexible, all-tube tone you crave, in a portable design with a vintage Ampeg ’70s vibe. Premium 12AX7 and 6V6 tubes push out pure American tone that’s extremely flexible thanks to Ampeg’s wide-bandwidth Baxandall EQ. Dual power modes (15W / 7.5W) give you control over your tube gain, perfect getting the same great tone while on stage or during practice. With smooth spring reverb and useful tools like an effects loop, you can count on straight up Ampeg guitar tone any place you plug in.
The Ampeg SVT-410HLF is a great example of how Ampeg knows that players have different tastes, and make the configuration YOU are looking for. The world-renowned Classic Series Cabinets are synonymous with bass enclosures – they’ve simply set the standard for decades. The Ampeg SVT-410HLF delivers extended range and unexpected low end from a 4×10-inch cabinet. It features dual Neutrik Speak-On and 1/4-inch input and output jacks. Its high frequency horn is controlled with a variable level attenuator. To prevent overpowering and damaging the horn, a resistive bulb is wired in series with the horn for protection. Ampeg Classic Cabinet Video Demos Click any of the video links on the left, then click Play to access the Classic Cabinet demos
Don’t be fooled by its diminutive, dare we say “cute”, appearance. The Ampeg Micro-VR is a compact powerhouse fully capable of pumping its 200 watts of genuine Round Sound into myriad live and recording situations. This portable, powerful solid-state head in traditional Ampeg drag is a pleasant surprise from the second you lay eyes on it to the moment its indisputable Ampeg tone hits your ears.
The Ampeg SVT450H, in true Ampeg tradition, offers you more power, performance and flexibility than any other bass amplifier in its class. In the world of high performance bass amps, Ampeg amplifiers stand alone. This versatile and powerful bass amplifier delivers up to 450 watts of unsurpassed musical power, and offers several outstanding features. Ampeg SVT-450H Features 9-BAND GRAPHIC EQ: Switchable at the front panel, you can use this as a second channel for bass solos, or to shape your sound to your own exacting standards HEAVY-DUTY SPEAKER JACKS: Speakon jacks for more reliable connections at higher output BALANCED LINE OUTPUT: XLR with independent level switch (20dB pad). Patch into house consoles, mixing boards, or external power amplifiers EFFECTS LOOP: For increased intensity and quieter operation of external effects POWER AMP IN and PREAMP OUT: Allows direct access into the power amp and a signal tap from the preamp section for even greater versatility CLASSIC SVT SOUND AND PERFORMANCE!
Drawing from the classic design of Ampeg’s legendary Portaflex cabinets, the PF115HE cabinet combines vintage styling with the performance of a modern 450W cab. The Eminence 15 inch driver pushes out true Ampeg tone. Since it’s a Portaflex, you can attach any PF Series head to the top, flip it inside and hit the road Ampeg style. Ampeg PF115HE Portaflex Bass Guitar Cabinet Features Designed as a stack with a Portaflex amplifier head for ultimate portability Aligned screw holes and clasps allows secure stacking of Portaflex heads Loaded with an Eminence speaker for high quality sound Equipped with a high frequency horn and 3 position switch Two paralleled 1/4 inch input and output jacks Includes four removable casters
Drawing from the classic design of Ampeg’s legendary Portaflex cabinets, the PF210HE combines vintage styling with the performance of a modern 450W cab. The dual Eminence 10 inch drivers push out true Ampeg tone. Since it’s a Portaflex, you can attach any PF Series head to the top, flip it inside and hit the road Ampeg style. Ampeg PF210 HE Portaflex Bass Cabinet Features Designed as a stack with a Portaflex amplifier head for ultimate portability Aligned screw holes and clasps allows secure stacking of Portaflex heads Loaded with two Eminence speakers for high quality sound Equipped with a high frequency horn and 3 position switch Two paralleled 1/4 inch input and output jacks Includes four removable casters
The Ampeg B410HLF bass enclosure with its four specially designed 10 inch speakers, 1 inch horn, and dual front ports for extended low end was born to rock hard and low. Suitable for most sizes of venues, the 4-Ohm enclosure features heavy-duty recessed handles and detachable casters. The extended range of the B-410HLF makes it ideal for 5- or 6-string bass players seeking solid low frequency performance (all the way down to 40Hz), with shimmering top-end up to 18kHz. The rear jackplate features two 1/4 inch jacks wired in parallel, allowing for easy daisy-chaining from one speaker to another. Either jack can be used as an input or a through connection. The 3-position HF Horn switch allows for full high frequency output (0 setting), -6dB reduction of the highs (-6 setting), and Horn shutoff (off setting). Features: Full-Range, Two-Way Enclosure Baltic Birch Plywood 2 inch Swivel Casters 3-Position HF Switch Ampeg Amps… In 1946, Everette Hull, an accomplished pianist and bass player, organized a partnership with Stanley Michaels under the name ‘Michaels-Hull Electronic Labs.’ Their mission was to produce a new microphone pickup that Hull designed. The pickup was fitted on the end of an upright bass and was dubbed the Amplified Peg or ‘Ampeg’ for short. In 1949, Hull became the sole proprietor and changed the name of the company to the Ampeg Bassamp Company. Since that time, Ampeg has produced some of the music industry’s most innovative and memorable products, satisfying the needs of musicians all over the world. Many of these products feature incredibly unique features and performance capabilities resulting in six U.S. patents under the Ampeg brand name. In 1960, a design engineer by the name of Jess Oliver created a combo amplifier with a chassis that could be inverted and tucked inside the speaker enclosure, protecting the inner workings and increasing the portability of the amp. Nicknamed the ‘Portaflex,’ this amplifier became the standard in bass combos throughout the 60’s and 70’s. Also in the early 60’s, Ampeg was the first company to incorporate reverb in an amplifier. The Reverb rocket preceded Fender’s Vibroverb (often thought of as the original) by nearly 2 years. In 1969, Ampeg set out to design the most powerful amplifier ever made. At that time, 50-watt amps were considered more than adequate. 100-watt amps were considered ‘plenty loud.’ Ampeg, however, not only harnessed 300 watts of pure tube power but actually created a new valve (tube) technology – Super Valve Technology, or the SVT. Now the most sought after stage amplifier, the SVT has proven its road worthiness on stages around the world. In 1986, St. Louis Music, Inc purchased Ampeg and continues the tradition of making quality, musician-satisfying products. The current series of Ampeg Classic models, Pro Series products, ‘B’ Series heads and combos a
How does an electric violin sound with a bass amp?
E string sounds a bit severe shaking of an amplifier. I was wondering if using a bass amp to be a little soft. How does the sound when using a bass amp?
This is more like a problem in compiling a problem amplifier. You can test it on a bass amp, it does not hurt anything, but I think you'll see that the problem is still there. I do not know what type of collection system is used in the violin I can not help.
